Eyebrow n Eyelids

Eyebrows can send body language. Being near the eyes, which are the major senders of signals, they are highly visible communicators, although the limited control of muscles around them can limit what they say.

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Lowered

Lowering the eyebrows conceals the eyes to a certain degree. Particularly with a lowered head, this can thus indicate deception or a desire that eye signals are harder to see.

Lowered eyebrows may also indicate annoyance, perhaps effectively saying 'I am so displeased, I do not want to look at you.' Related to this, lowered eyebrows are a sign of a dominant person.

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Raised

When a person is surprised, their eyebrows are often raised. This typically happens as a part of opening the eyes wider, perhaps to see more clearly what is going on. The more the surprise. the higher the eyebrows are raised.

Raising the eyebrows asks for attention from others and can signal general emphasis. When as question is asked and the eyebrows are raised afterwards, this is a clear invitation to answer the question.

Opposite to the dominant lowering of eyebrows, raising eyebrows is may be a submissive move or indicate openness, as it lets the other person see your eyes ('I am not looking where I should not!').

Raising a single eyebrow is something that only some people can do and can be a bit more wry in its meaning, for example asking 'Are you sure?' when the other person appears to be talking with limited accuracy.

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Middle-raised

By pushing together the eyebrows and pulling up the forehead, the eyebrows can be made to slope outwards. This can indicate relief ('Whew!'). It can also indicate anxiety ('Oh no!').

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Middle-lowered

When the middle of the eyebrows are pulled down so they slope inwards, this often shows that the person is angry or frustrated. It can also indicate intense concentration.

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Oscillating

When we see people we know, we often give a quick up-down flash of the eyebrows in recognition and greeting. This is a common signal across all primates, including monkeys and gorillas.

Rapid and repeated up and down movement may be an exaggerated signal, meaning 'Well how about that then!', in the way that Groucho Marx used it.

Cheers

Harish K

Hand Gestures

hi guys,

thought i would share this today....some hand Gestures i have collected over the yrs.

one of the most common mistakes animators do is they forget to animated the fingers..fingers give life to the characters n a good time n thought should be spent on Animating hand n fingers.

i hope this post helps u :)

Cheers

Harish K

Head body language

The head can send such a wide range of signals that the face and other parts of the head are covered in other pages. Here, we focus just on movement of the head as affected by the neck muscles.

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Lowering

A lowered head covers the neck with the chin and hence can be a defensive posture that can occur as a result of any perceived threat (not just physical threat).

Lowering the head also lowers the eyes and hence can be a sign of submission, effectively saying 'I dare not even look at you'. The eyes are typically also lowered here. It can be driven by affection ('you are so wonderful') or fear ('you might hurt me if I look at you').

Lowering the head whilst maintaining eye contact can also be a strong flirting signal, typically by women. It says 'You are superior and I just can't take my eyes off you'. It can also be a sign of defiance or caution, for example when showing respect to an enemy ('You are strong and I do not trust you').

Sometimes, lowering the head is just a sign of exhaustion. The head is rather heavy and a tired person's head will sag.

Lowering the head can be a part of ducking as the person reflexively pulls the head down to avoid a real or imagined hazard. This makes the body smaller and protects the neck.

A single short lowering of the head can be an abbreviated nod. This is a common greeting, perhaps as a small bow. It may also be a signal of power ('I am so powerful people are paying will notice even a small nod'). Again it may be a deliberate concealment, sending covert agreement to a colleague.

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Raising

When the head is low, raising it may be a sign of interest as the person moved to looking at the point of interest. This is typically accompanied by other expressions of interest such as raised eyebrows.

From a level position, a quick flick upwards can be a sign of query ('What do you mean?').

Raising the head and looking at the ceiling may signal boredom. It may also indicate a visual thinker who is looking at internal images. Another alternative is where a person wants to focus on the sound and is thus averting the eyes in order to concentrate on the sound.

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Tilting

Tilting the head sideways can be a sign of interest, which may be in what is said or happening. It can also be a flirting signal as it says 'I am interested in you!'

Tilting can similarly indicate curiosity, uncertainty or query, particularly if the head is pushed forward, as if the person was trying to look at the subject in a different way in the hope of seeing something new. The greater the tilt, the greater the uncertainty or the greater the intent to send this signal.

A tilted head pulled back tends to indicate suspicion, as the uncertainty of the tilt is combined with a defensive pulling back.

The tilted head exposes the carotid artery on the side of the neck and may be a sign of submission and feelings of vulnerability.

If the head is propped up by the hand, it may be tiredness or an expectation of continued interest ('This is so interesting!').

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Oscillating (nodding and shaking)

Nodding up and down signals agreement in most cultures and may well be accompanied by smiling and other signs of approval. A vigorous nodding probably indicates strong agreement, whilst slow nodding may indicate conditional agreement (and so may be questioned if you want full agreement).

Turning the head from side to side usually indicates disagreement or disapproval and may originate in infant refusal of food. Again, speed of swinging indicates strength of feeling. A head tilted down whilst swinging may signal particular disapproval ('I don't even want to look at you').

Alternately tilting the head at an angle to each side can say 'I'm not sure', though in Southern India it means 'Yes'.

Nodding or shaking the head whilst talking is an encouragement for the other person to agree (which works surprisingly often).

Nodding whilst the other person is talking sends approval signals and encourages them to keep talking. Shaking the head shows disagreement and they may either stop and seek your view or redouble their attempts to persuade you.

A nod can be used when emphasizing a point. The may range from a subtle encouragement to agree to a rapid and aggressive tilt.

A short, sharp nod can symbolize a head-butt, indicating the desire to strike the other person (this may be in emphasis or for other reasons).

Shaking the head when saying something positive is a negative signal and may indicate the person does not believe what they are saying.

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Rotating

Rotation of the head in a circle is a relatively rare gesture and may just be the person exercising a stiff neck (if they should be paying attention, this may thus indicate boredom).

Turning the head away removes attention and thus may say 'I do not want to communicate with you'. This can be very insulting as it denies the existence of the other person.

Turning the head slightly to the side points the ear at the other person, perhaps better to hear them. This is usually accompanied by continued eye contact and the hand may be cupped behind the ear.

A slight head turn also puts one eye in the middle of your head as the other person sees it. To make eye contact they thus have to focus on one eye. This can be very disconcerting and this 'one-eye' gaze may be used as an act of dominance (It may also be used in the act of 'giving the evil eye').

A slight rotation on top of oscillation may indicate incomplete agreement or disagreement, for example where a nod has a slight additional side-to-side movement, indicating primary or external agreement but with a certain amount of disagreement too (which may be significant if they feel coerced into agreement).

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Pointer

We tend to point at people and things in which we are interested in some way. Pointing the head and face at another person shows interest in them.

In groups and meetings, you can often see power people as others often look at them. Likewise, the less significant people are not looked at often.

We can also point with a twitch of the head in any given direction. Pointing at a person in this way without looking can be insulting and can be subtle, for example where you do not want the indicated person is being pointed at.

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Touching

We can touch the head in many places. Touching the face is a common sign of anxiety and people tend to have preferred places they touch or stroke when they are concerned. This is a classic pattern that poker players look for in other players as signs of having good or bad hands.

Covering eyes, ears or mouth may say we do not want to see, hear or say something.

We may touch the side of the nose or stroke the chin when we are thinking, making decisions and judging others.

Tapping the head can be self-punishment and hence signal regret, for example tapping the forehead with the heel of the hand ('I'm stupid!'). Note that, depending on context, this can also be a signal that somebody else is considered stupid.

The head is heavy and when tired we may prop it up, either under the chin or at the side. Boredom makes us tired so propping the head may indicate this. Propping up the head also happens when a person is thinking or evaluating.

In some cultures, the head is considered the part of the body that is most spiritual. Touching the head can be considered wrong in such contexts.

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Unmoving

The head often moves during speaking and often to signal submission or anxiety. When it does not move, it may indicate that the person is serious or talking from a position of authority. With a stable head, it is easier to fix others with a dominant gaze. This is a quite significant effect that actors often use. Just holding your head steady can lead to others affording you higher status.

When the head is not moving and the eyes are not focused the person may not be attending outer world, instead being lost in inner thoughts and musings.

Body Language ‐ Eyes

I Found this amazing article on Eyes by Darcy Brooker.

Hope u enjoy reading it :)

Cheers

Harish k

Eyes or "windows to the soul" as gypsies referred to them can reveal our fears, desires,

attitudes, sincerity and many other elements that we often cant or wont communicate

through words and actions alone.

Verbal communication, which includes rhythm, pitch and tone as well as the actual

words we use, only accounts for about 20 to 30% of our total communication efforts.

This leaves a pretty hefty chunk of the communication up to body language. More

interesting is the fact that people only make eye contact about 20% of the time. So what

are our eyes doing for the remaining 80%? The answer: a volley of movement as we

switch in and out of different modes of information recall (recalling past experiences)

and construction (creating new information from previous experiences).

According to the experts whenever we look to the left we are recalling information and

to the right we construct. Something that must be taken into account is the fact that a

small percentage of usually left‐handed people are wired in the opposite way.

Psychologists will often perform some kind of calibration before examining a client by

asking leading questions to learn how their eyes behave.

Try the following: Ask yourself what colour your car is and take notice which direction

your eyes are looking.

Up: Looking up (whether to the left or right) is the visual area. E.g. remembering car

colours (up‐left) or making them up (up‐right).

When we recall visual information we look diagonally up to the left. On the other hand,

when we look up to the right we are constructing visual information. Both visual and

auditory construction have often been mislabeled as lying; this is only half true. Up to

the right indicates they're making things up but does not mean lying necessarily as theymay be guessing or confused and not actually intending to deceive. Looking directly

right means possibly constructing sentences ‐ ie telling the truth but not sure how to

word it. As you can see lying is not as black and white as someone just looking

diagonally up right or directly right.

It has more recently been discovered that people close their eyes briefly before giving a

false answer.

There is also a small percentage of people with what is called the thousand‐mile stare.

These people look like they are looking right through you when communicating but

actually require very little eye movement when retrieving or constructing information.

Middle: Looking directly left or right is the auditory area. E.g. remembering what was

said (left) or making a new sentence (right).

Down: Looking down left and right is the kinesthetic or feeling and emotion area.

Feelings and emotions are expressed when a person looks down diagonally right.

Diagonally down left is internal dialogue. You may recall when Buzz Light‐year realized

he was only a toy how he looked down searching his feelings.

Confident people usually make more frequent eye contact when communicating.

Nervous and surprised people can be wide eyed while untrustworthy and defensive

people will often squint and dart their eyes from left to right. Open and warm

communicators may also appear to be wide eyed which can also be a sign of intelligence

or attentive listening. Open communicators will also make use of smiling eyes. In

contrast an angry person may stare with squinted eyes for an uncomfortable length of

time.

Is he/she interested in me? Ever had someone look you up and down? When the

opposite sex, an employer or enemy first approaches you they may look you up and

down to size you up. Men will also often glance at a woman's breasts when

communicating, hmmm the statistics on that would be interesting to see.

As you can see there is a great deal of information being communicated through this

window to the soul and a good understanding of eye‐movement is an invaluable tool for

the character‐animator. While body language can be difficult to interpret it is vital to

communication and can weigh more heavily than words.

- Darcy Brooker

MakingOf - Movies - Tangled - Directors Nathan Greno and Byron Howard talk 'Tangled'

MakingOf - Movies - Tangled - Directors Nathan Greno and Byron Howard talk 'Tangled'

Hi guys i found this amazing place where u can watch ur Favorite movies: Behind the scenes n interviews n so on

u can even reg urself for a free newsletter

Enjoy the link.

Cheers

Harish k